Most of the kits on the market use this type of material-and for good reason. Often, this material can be too reflective, so watch out for any spill when lighting the backdrop. This stretchable, wrinkle-resistant material is quick to set up and performs exceptionally well when pulled around a frame or stretched between stands. But, even in this process, rolling up the fabric means that you’d need a larger amount of space to store it-so this lends itself again to a studio space where you can leave it at. When packing or breaking down a cotton green screen, we recommend rolling the fabric instead of folding it so there won’t be as many wrinkles or creases the next time you need it. It does, however, work well for a permanent installation in a studio where you can stretch the fabric, steam out any creases, and then set up for extended periods. This can become a recurring nightmare if you have to break down the screen, move it, or store it multiple times throughout its use. Muslin is a dense material that will absorb light, sparing you the headaches of unwanted reflected light and color spill. Small stuff like this makes green screen work so tedious if you don’t have a super-secure and reliable setup. I’ve had a few instances where the smallest crease in the paper caused a shadow to form that I didn’t notice, making the key not as great as possible. They’re also wasteful if your “screen” rips or bends or folds, you probably will have to dispose of it.įor these reasons, I suggest passing on any paper kits. These backdrops tend to be fragile, unwashable, wrinkle easily, and often reflect too much light back at the subject. Choosing the suitable fabric is crucial when lighting your scene. A material that can stretch, eliminating any wrinkles, is desirable to achieve a nice, even lighting across the screen, which is essential in post.Īnother critical factor to consider is finding a material that’s not too reflective so that you don’t encounter any hot spots, and so the screen itself doesn’t reflect back onto your subject. The shining star of the kit is the screen itself-the kind of material you choose will drastically affect your ability to effectively chroma key. We’ll cover the must-haves in this article, and for anything else chroma key-related, check out our comprehensive guide to using and shooting with a green screen. You need to know a few things before you purchase a kit. On top of the stand probably not being right, the material matters even more! When you’re looking to buy a kit for your home or studio, a simple online search will yield endless results trying to sell you a cheap curtain set, complete with stands destined to break on their first use. The green screen has become a necessity for productions of all sizes. Here are some helpful tips on finding the right green screen kit-what kind of kit you should buy, what to look for, and where to buy them.
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